“It was a time in my life that was so special I will never ever forget it. I shouldn’t say that to my two sons, but I was never that excited in my life as when I was on that show.”


The Film

“Come On Down!” is a film about game show culture, the American dream, and the once-in-a-lifetime experience of hearing the words, “Come on down!”


Friday, July 30, 2010

A Star For A Day ~ Scot

I woke up one morning, arms flailing up in the air, freaking out, thrilled that I had won $43,500 on The Price Is Right. I just was havin’ a great time. Then I realized that I had woken up and that it was just a dream. So I was a little disappointed and bummed out, and instead of just letting it go, I decided that it wasn’t like a dream, but yet like a vision into the future.



So in my dream I was wearing a shirt, a tye dye shirt of course, it was red yellow and orange and it looked like I was on fire on stage.



I knew I was going to win and I wanted to document everything. I had a great day that day we woke up I got dressed headed to the airport, brought a couple cameras with me from the store. Took pictures of all my friends who were on the airplane with me there was like 20-25 of us all wearing matching shirts.







Wednesday, July 21, 2010

The Film

"Come On Down!" follows "Real Barker", a Grandfather from Maine, as he pursues his lifelong dream of being on "The Price Is Right." For almost thirty years, Real has staged a family “Price Is Right” tournament on Christmas Eve as a device to keep the family together. Despite several un-successful attempts to go to the show in the 1980’s and 1990’s, the Credit family once again sets out with hopes of being on the show.

In addition, the charismatic cast of characters that we interviewed includes housewives, rock bands, college students, scholars, grandmas, fanatics, and "regular Joe's." The “TPIR-stories” that we have collected offer a hilarious and lighthearted glimpse at a truly unique staple of American popular culture as devotees live their "American dream." As one fan proclaimed, “I compare it to Canterbury Tales… I think it truly is an American pilgrimage.”

Just as the show that inspired it, “Come On Down” provides a welcome reprieve from the many grave and serious issues that we face in the world today. In all seriousness, the film reminds us that family, laughter, and good, clean fun are also endangered in our modern world, and invites us to laugh at ourselves, meet our neighbors, and remember to “help control the pet population…. Have your pet spayed or neutered!” ~ Bob Barker

Recent News

In 2009-2010, we embarked upon a complete re-edit of "Come On Down!" We recognized the importance of creating a tightly-edited, refreshing and positive film that focused on the charming cast of characters that we met and the shared cultural experience that they had.

The stories we have woven together share these devotees personal HISTORIES with the game show, their JOURNEY West to get to the show, THE MOMENT that they became one of the chosen few called to “come on down,” and their unique TAKEAWAY from the experience.

“The Price Is Right” holds a special place in the hearts of four generations of Americans- regardless of age, race, class, or gender. For many people, affection for the show stems from childhood or a family memory. For others, the possibility of a televised “15 minutes of fame” or valuable prizes is the attraction. But for the lucky few who hear their name before the iconic phrase, “come on down,” the priceless “Price-Is-Right-story” becomes the most cherished reward. The story becomes part of their identity as they re-tell it over and over again and re-live the experience throughout their lives.

As we continue to shape the final cut of the film, we hope that you will stay tuned and continue to support "Come On Down!" We are looking forward to a screening party near you!

Tuesday, July 20, 2010

Woo Woo!! They Loved It!


"A love letter to rabid PIR fans, the sheer awesomeness of Plinko, that mountain hiker/yodeling game, etc"

"
What fun! Anyone who loves Price Is Right, Bob Barker, TV, or just the US of A. Whoot!"

"I seriously cried with laughter."

"I had tears in my eyes. I've never heard a whole theater just roaring with laughter! Really awesome!"

"OMG! Totally worth the time. We saw this on a whim because we grew up watching TPIR. I want to own this film. It was funny and so true! I thought I was the only person who loved this show this much!!"

"Totally awesome. Too funny. I want to see it again."

"What a fun movie! I just wanted it to keep going once it was over. Then I wanted to see it again!"

Buzzzzzzz

In 2007, as we were wrapping up production we were interviewed by a writer who was preparing a story about Price Is Right fans (our tiny contribution to the article is in red below). What is most fascinating about the article is the comments and replies. So many people love Bob Barker!


End of an Era: The Price is Right — Mar 26th 2007

By Dakota Smith



Like a Broadway show in the midst of an endless run, The Price Is Right has changed little in the last 35 years. The three female models collectively known as Barker's Beauties still introduce dining room sets, trips to Fiji, and new cars. Specific games have come and gone, but longtime favorites like Plinko, Cliff Hanger, and In the Bag remain. And while Rich Fields may be the third announcer in the show's history, he still issues the classic invitation: "Come on down! You're the next contestant on The Price is Right!"

A shake-up, however, is on the way. This coming June, host Bob Barker will retire. And on the Los Angeles set-Stage 33 at CBS Television City-there's some trepidation about the future. As the network auditions such potential replacements as George Hamilton and George Lopez, even executive producer Roger Dobkowitz, who started working at the show in 1972, is in the dark about what's next.

"After 35 years, what's CBS going to do now?" says Dobkowitz. "No one wants the show to change."

Indeed, tinkering with the
Price is Right formula seems sacrilegious. The top-rated and longest-running game show in America, and the top-rated daily show in the world, its fan base includes everyone from grandparents to college students (a demographic Barker secured during his beat down of Adam Sandler in Happy Gilmore).

Barker's impending departure has made the show more popular than ever. In previous seasons, ticket holders would line up in the early morning hours along Fairfax Avenue, the main drag outside Television City. Now the fans hit the sidewalk at 9:00 PM the night before, just for a chance to see Barker in his final run.

"It's the saddest thing, because it's end of an era," says Ken Ratliff, 52-year-old resident of Cle Elum, Washington. Having spent the night on the street, Ratliff and his 24-year-old son Adam were ensured two spots in the 330-seat theater. Yet they still had to wait outside in a concrete holding area until the taping began. Also waiting outside: Donna Devault and Christine Perenich, former college roommates who had flown in from Maryland and spent the night playing Scrabble and knitting in a tent on Fairfax Avenue.

Hopped up on lattes, these sleep-deprived and giddy women were hoping to be picked as contestants. Should they be so lucky, what pricing games did they intend to play? "Roll in the Die!" Perenich shouts. "Golden Road!" says Devault, who was wearing a t-shirt that read, Kiss My Mommy, Bob.

In fact the producers do pick the show's nine contestants from this concrete holding pen. They begin by asking people where they're from and what do they for a living. A simple process, perhaps. But as Dobkowitz explains, no other show selects its contestants on such short notice-and most vet and coach them beforehand. "We really are reality television," he says.

What they are looking for, says the producer, is contestants "who are happy, who are just themselves." Avoided are people who ham it up for the camera. "We've been doing this long enough so we know when people are faking it," Dobkowitz notes. And although 90 percent of the crowd shows up wearing some sort of homemade t-shirt paying homage to the show or its host, apparel is not a factor.

As for Barker himself, he looks older, but certainly not frail. During commercial breaks at the taping, he chats with the audience, accepts gifts (ties, t-shirts), and autographs a woman's arm, which bears a large tattooed image of Barker's face. When the audience begs him to repeat the notorious line from Happy Gilmore, he feigns innocence. "Oh, I don't know if I can say that," Barker tells them, turning to one of his producers. "Can I say, The price is wrong, bitch?" The audience goes nuts. The producer nods; obviously, she's heard this shtick before.

The most surprising thing about a visit to the set is the sheer noise. From the very start of the taping to the Showcase Showdown, the crowd screams, yells, and shrieks out numbers and prices, making it nearly impossible to hear the interaction onstage between Barker and the contestants.

According to Jeruschka White and Caryn Capotosto, who have interviewed hundreds of contestants for a documentary-in-progress called Come On Down!, about half the winners sell off their prizes immediately, unable to afford the tax bite. Others hang on at any cost. "Even if people don't like the car," says White, "they keep it for sentimental reasons."

Across the Web, countless fan sites track minute details about the show's history, such as the date that Barker's hair went gray (October 15, 1987). YouTube boasts a decent library of clips, including one episode with a major wardrobe malfunction-a contestant's tube top slipped down when she ran toward the stage. ("She came down, and out they came," exclaimed Barker at the time.)

Additionally, the show's official website maintains an encyclopedic Q-and-A section, recording such factoids as the biggest winnings to date ($147,517, won on September 19, 2006) and explaining why only American-made cars are given away. (Too many complaints from viewers, says the site, noting that the decision was made after the first Gulf War.) Diehard fans can also look forward to the publication this September of
Come On Down! Behind the Big Doors at The Price Is Right, a memoir penned by longtime producer Stan Blits.

According to Dobkowitz, the show's amazing longevity is due to several factors, including Barker's popularity and its relatively simple premise: knowing how much an item--be it a bottle of Aspercreme or a Ford Fiesta-costs. "What's happened now is that we're like comfort food," he says. "It reminds people of when they were seven years old and watching the show."

And what's his favorite part of the job? Dobkowitz says it's shepherding contestants offstage after they've played one of the pricing games. "It doesn't matter whether they've won or lost, they're so happy," he says. "They tell me they've been waiting to get on the show for the last 25 years."


Buzzzzzzz

The making of "Come On Down! Has been a labor-of-love for the filmmaking team. Along the way we have had some great shout-outs and buzz for the film.

An excerpt from the CineSource column, "Kevin On The Scene: DocFest 2008"
"One of the fest’s five world premiere’s – the low budget Come on Down! The Road to the Price Is Right – was an illuminating, giggly delight.

The directors, Jeruschka White and Caryn Capotosto, met DP Tuan Le at the University of Kansas in 1996.

White and Capotosto were invited to observe one family playing their annual Christmas Eve home version of
The Price Is Right, giving them a new respect for the fans, which led to them soliciting TPiR fans from CraigsList ‘Missed Connections.’

For six years the pair worked and saved, blocked out mutual vacation time, then set out to do a round of interviews in geographic areas of the country.

True story: On October 13, Antonio Scardina, 44, handed a bomb threat to the receptionist at Lieff Cabraser Heimann and Bernstein on the 30th floor of the Embarcadero Center tower at 275 Battery Street. The building was evacuated. Scardina told the employee he was distraught after not getting called to Contestants Row onTPiR. “We don’t know the guy,” said White by phone from her job as a Brooklyn emergency medical technician. “I promise.”

The film covers all aspects of the cult morning TV game show’s fans:

* Practicing to jump up and down while high-fiving others on Contestants Row when one hears Wizard of Oz-like announcer Rod Roddy’s familiar “Come on Down.”

* The audience support-group panel of experts responsible for memorizing consumer product pricing cheat sheets.

* The hotel proprietor next door to Bob Barker Studio (which show vets liken to the ‘pulsating aura’ of Willie Wonka’s chocolate factory) leads a clinic for first-time
TpiRattendees.

* The crowd of 600 occupying the sidewalk outside the studio at 5 am.

* Characteristics that producers seek in an ideal Contestants Row player – the uniformed soldier, the busty young gal in a tight T-shirt (preferably expressing her love for Barker, or urging to spay and neuter pets), the grandma, and the strapping young newlywed.

Useful tip: Never accept the bedroom set on Showcase Showdown, because Roddy’s next words are sure to be, “a brand new car.”

Saddest moment: The disillusioned soldier’s expression when he passes up the chance to win a speedboat, only to win a children’s furniture set.

Quirky detail: Tomato, the drummer for punk band Sound of Urchin is a
TPiR fan.
Kevin Davis, November 2008

*******

From the SF Weekly:

Docs of the Bay

Bob Retires and Drew Takes The Stage

In 2007, as the "Come On Down!" crew was working on a first edit of the film, Bob Barker announced his retirement and we learned that Drew Carey would take the reigns. One of our final shoots for the film was Bob Barker's last show, where we interviewed fans about the future of The Price Is Right. There was much fanfare surrounding Bob's retirement. The following article about the changing of the guard appeared in the New York Times:

October 25, 2007, 5:01 PM

Drew Carey’s Showcase Showdown

By BRIAN STELTER










The reviews of Drew Carey’s debut on “The Price Is Right” have been mixed.

Many of the comments on the Television Without Pity and TV.com message boards have been decidedly downbeat. But Jonathan Storm gave Mr. Carey a thumbs-up in a review in The Philadelphia Inquirer, concluding: “By the time he was bouncing in excited unison Friday with Leslee (who went on to win a new car!), it was clear that The Price Is Right is on its way to a few more decades of fun.”

Regular viewers are the most important critics, and the ratings for Mr. Carey’s first week suggest that a “Bring Back Bob Barker” campaign isn’t imminent.

Compared with the same week last year, viewership of Mr. Carey’s “Price” premiere week was up 8 percent among viewers aged 25 to 54 and up 10 percent among viewers aged 18 to 49. The program posted gains among both men and women.

If viewers still miss Mr. Barker, they can log onto ThePriceIsRight.com, the official Web site for the long-running game show. The site, unveiled today, includes a section devoted to “Bob Barker’s Classic Moments.” It also features a video blog from Mr. Carey and a variety of online games. The site is the product of FremantleMedia Enterprises (the production company that handles “Price”) and a Web developer called DAVE Networks.

"The Price Is Right" in The New York Times

"Hoping to 'Come on Down' to 'The Price Is Right'"
By JENNIFER STEINHAUER
Published: June 13, 2006










Ted Ott (pointing) leads a workshop at the Farmer's Daughter hotel for "The Price Is Right" hopefuls; some line up, beginning at midnight (middle), and are later issued a number (right).

LOS ANGELES — The daytime television schedule may be littered with gabby talk shows, sunny news programs and adjudications of who, precisely, put his foot through the window of the neighbor's El Camino.

But nearly 35 years since Bob Barker first beckoned Americans to come on down, his game show, "The Price Is Right," continues to corner a certain market.

Thousands of fans — from 19-year-old Midwestern college students to octogenarians who have had crushes on Mr. Barker since he and they were middle-aged — continue to line up along Fairfax Avenue here at 3 a.m., four days a week, most of the year, hoping for one of the 325 spots in the studio audience.

They come in intergenerational groups or solo. They schedule vacations around tapings of the show, and spend months organizing friends and family members to meet them here, wearing T-shirts that identify them by their town or family name. (One man was recently spotted refusing to don his group's shirt at breakfast. Things did not go well for him.)

They stay by the dozens at the Farmer's Daughter hotel across the street from the CBS studio where "The Price Is Right" is taped, and get a nightly tutorial from a desk clerk on how to become members of the studio audience.

For every American who dreams that a singing voice, dance skills or back-stabbing boardroom tactics will earn him a piece of prime-time fame, thousands more have dreamed smaller, longing only to guess the price of a sectional couch or a pint of heavy cream. They don't want a record contract; they want an all-expenses-paid trip to Asia, or maybe a banjo.

"I have been watching this show all my life," said Gregory Bourgard, 26, who comes several times a year from Odenton, Md., to line up for a spot in the audience, even though he can never be a contestant again because he was once a showcase winner.

"I'm not trying to relive the moment," he said on a recent Sunday night at the Farmer's Daughter, where he was gearing up for visit No. 30. "I just want to be in the audience again."

Game shows may come and go, but "The Price Is Right" is a cultural touchstone for generations of Americans.

Who under 50 — except for those raised by parents who banned television and put rice cakes rather than Ring Dings in their lunchboxes — did not spend dozens of childhood mornings zoned out on the couch, playing along with the Dice Game or screaming at the fool from San Diego about to overbid on a bag of corn chips?

"We're here for our parents, our grandparents and people in our lives who have since passed on who watched the show," said Cindy Kilkenny, 57.

It is the democracy of the audience, and the show's theme — how to gauge inflation, essentially — that has sustained its appeal, said Mr. Barker, the show's 82-year-old host (and its executive producer).

"Everyone in the United States can identify with our show," he said. "On most game shows today you will see contestants between 20 and 45 who are physically attractive. We have people on 'The Price Is Right' who are between 20 and 45 who are physically attractive too."

"But we have people who, when they became 18, the first thing they did was come to 'The Price Is Right,' " he continued, "and I had a big winner on a recent show who was 95. We deliberately select contestants that are black, white and brown. We deliberately pick contestants from all over the United States. We have fat people, thin, short, tall, you name it."

How much stuff costs, he added, is what people think about every day, anyway. "The premise is so overpowering," he said. "Everyone identifies with prices. Whether you're a television executive or a newspaper reporter or a policeman or unemployed."

And while television may worship 22-year-olds and body parts created in the operating theater, Mr. Barker is also part of the show's grand appeal, and he has the X-rays to prove it. One overzealous fan bear-hugged Mr. Barker and broke a rib; several have crushed his toes; and one raced onto the stage and head-butted him in the solar plexus.

"It is a dangerous job," said Mr. Barker, who holds special affection for a fan who raced to her contestant's seat with such enthusiasm that her tube top fell down. She failed to adjust it for several live minutes.

The audience is largely filled by groups on buses who are guaranteed seats. The rest are fans who line up, often beginning at midnight, for the extra spots, which are doled out on a first-come-first-served basis. Some days there are two, others 200.

For these fans Ted Ott, a clerk at the Farmer's Daughter, gives free workshops each night before tapings (two on Mondays and one Tuesday through Thursday).

Mr. Ott, who lines up on his day off, uses a broken section of a backgammon board to represent the "Price Is Right" studio, and lectures for roughly 40 minutes, in between checking in guests.

He gives the following advice: Do not wear costumes. ("The show's producers have a horror of waking up and finding out they are on 'Let's Make a Deal,' " he said.) Show up on time to get your four-digit line-spot number, and guard it with your life.

If you get a spot in the audience — and are thus granted a 20-second interview with the producer to see if you might be called down — be clever. Don't go to the restroom when people are being called down. If you are thinking of bringing in a cheat sheet on prices, think again, because that is a felony.

But to that quintessential American question: is it worth it? For Sean Steiner, 22, who came from Akron, Ohio, to be the first in line for the show, it was the fulfillment of a childhood dream. "It was a once-in-a-lifetime experience," he said. "I was feet from Bob. He was cracking jokes, telling stories about the ducks who live in his swimming pool during the commercial break. The best part was, I got to come home and watch myself on TV."

"The Price Is Right" in the News











Price is Right Reject Causes Bomb Scare in SF

Reason for today's 275 Battery shutdown and bomb scare? Yep, "The Price is Right" is at fault. Naturally. As SFist commenter Jackd tells SFist:

some guy went up to the law firm on the 29th floor of the building and handed the receptionist a note explaining why he was pissed off because he didn't get on The Price is Right. Yes, you read correctly, THE PRICE IS RIGHT! I guess she saw some wires around or near his wrist and she called the Bomb Squad. They caught the guy, but swept the rest of the building just in case.

In the insane person's defense, Plinko does look like loads of fun.

Monday, July 19, 2010

The Filming of "Come On Down"

Production on "Come On Down!" began in the fall of 2004 in Los Angeles. Our first interviewee was Ted Ott- the nighttime desk clerk at the Farmer's Daughter Hotel across the street from the CBS Studios where The Price is Right has been taped for 35 years. Because of the large number of guests at the hotel that have attended The Price Is Right through the years, Ted began a nightly "Price-Is-Right-Clinic" geared towards prepping his guests for their TPIR experience and adding to the excitement of the occasion.









































Later that winter filming resumed in Maine at the home of Real Barker, who has been staging a family Price-Is-Right tournament every Christmas Eve for the last 25 years as a device to keep the family together for the whole night on Christmas Eve. This has become a revered family tradition for the proud grandparents, their children, and their grandchildren, and has also been a lifelong dream for Real who had yet to actually go to The Price Is Right.




















































In early 2005 Real Barker got his chance, as the family made the pilgrimage to LA to try their luck on TPIR.

























Since 2005, we have been traveling the U.S. and interviewing past contestants of "The Price Is Right" -- from San Francisco to Boston, Las Vegas, Nashville, Chicago, Atlanta, Kansas City, New York, and many places in between to hear each unique rendition of the oft-retold 'Price Is Right-story.'









The Filmmakers













Caryn Capotosto currently lives and works in Los Angeles, CA. She holds a Master's Degree in Humanities from The University of Chicago and a Bachelor's Degree in Photography from Columbia College Chicago. She has worked The Museum of Contemporary Photography (Chicago), The LaSalle Bank Photography Collection (Chicago). She was a scholarship recipient from the Anderson Ranch Arts Center in Aspen, CO. and the School for Photographic Studies in Prague, Czech Republic. This is her first film.

Jeruschka White currently works as a New York City EMT. She attended Dante Alegliri, Florence Italy (1996), New School, NY (1996) and the New York Film Academy (1999). She has worked in production on commercial, television, and film since 1997. Ms. White has assisted numerous directors since 1999 including the legendary Robert Altman. Her short films have been included in juried exhibitions since 2000. This is her first feature film.

The Team

Director of Photography, Tuan Le is the creative force behind Rabbitwerks, a California collective of experienced and passionate filmmakers, designers, and photographers that was founded in 1999.

Editor, Seana Carroll has worked in film, television, radio, and theater for over 15 years.She has received scholarships from George Washington University, Mount Vernon College, and a degree in Fine Arts with a focus on Digital Media from The Corcoran College of Art + Design. She has edited projects ranging from the experimental/ avant-garde to narrative, non-fiction, and music videos in Los Angeles and Washington, DC. Seana currently resides in Hollywood, CA where she is working on a documentary about the Washington Redskins Marching Band.

In addition, many people have helped us out along the way. Special thanks to Jack Birmingham, Jessey White-Cinis, Steve Koutsonicholis and a million more (you know who you are). Proper credits will be rolled later!

Thursday, July 8, 2010

The Film

"Come On Down!" follows "Real Barker", a Grandfather from Maine, as he pursues his lifelong dream of being on "The Price Is Right." For almost thirty years, Real has staged a family “Price Is Right” tournament on Christmas Eve as a device to keep the family together. Despite several un-successful attempts to go to the show in the 1980’s and 1990’s, the Credit family once again sets out with hopes of being on the show.

In addition, the charismatic cast of characters that we interviewed includes housewives, rock bands, college students, scholars, grandmas, fanatics, and "regular Joe's." The “TPIR-stories” that we have collected offer a hilarious and lighthearted glimpse at a truly unique staple of American popular culture as devotees live their "American dream." As one fan proclaimed, “I compare it to Canterbury Tales… I think it truly is an American pilgrimage.”

Just as the show that inspired it, “Come On Down” provides a welcome reprieve from the many grave and serious issues that we face in the world today. In all seriousness, the film reminds us that family, laughter, and good, clean fun are also endangered in our modern world, and invites us to laugh at ourselves, meet our neighbors, and remember to “help control the pet population…. Have your pet spayed or neutered!” ~ Bob Barker