


A film by Caryn Capotosto and Jeruschka White
The stories we have woven together share these devotees personal HISTORIES with the game show, their JOURNEY West to get to the show, THE MOMENT that they became one of the chosen few called to “come on down,” and their unique TAKEAWAY from the experience.
“The Price Is Right” holds a special place in the hearts of four generations of Americans- regardless of age, race, class, or gender. For many people, affection for the show stems from childhood or a family memory. For others, the possibility of a televised “15 minutes of fame” or valuable prizes is the attraction. But for the lucky few who hear their name before the iconic phrase, “come on down,” the priceless “Price-Is-Right-story” becomes the most cherished reward. The story becomes part of their identity as they re-tell it over and over again and re-live the experience throughout their lives.
Drew Carey’s Showcase Showdown
Many of the comments on the Television Without Pity and TV.com message boards have been decidedly downbeat. But Jonathan Storm gave Mr. Carey a thumbs-up in a review in The Philadelphia Inquirer, concluding: “By the time he was bouncing in excited unison Friday with Leslee (who went on to win a new car!), it was clear that The Price Is Right is on its way to a few more decades of fun.”
Regular viewers are the most important critics, and the ratings for Mr. Carey’s first week suggest that a “Bring Back Bob Barker” campaign isn’t imminent. Compared with the same week last year, viewership of Mr. Carey’s “Price” premiere week was up 8 percent among viewers aged 25 to 54 and up 10 percent among viewers aged 18 to 49. The program posted gains among both men and women.
If viewers still miss Mr. Barker, they can log onto ThePriceIsRight.com, the official Web site for the long-running game show. The site, unveiled today, includes a section devoted to “Bob Barker’s Classic Moments.” It also features a video blog from Mr. Carey and a variety of online games. The site is the product of FremantleMedia Enterprises (the production company that handles “Price”) and a Web developer called DAVE Networks.
Ted Ott (pointing) leads a workshop at the Farmer's Daughter hotel for "The Price Is Right" hopefuls; some line up, beginning at midnight (middle), and are later issued a number (right).
LOS ANGELES — The daytime television schedule may be littered with gabby talk shows, sunny news programs and adjudications of who, precisely, put his foot through the window of the neighbor's El Camino.
But nearly 35 years since Bob Barker first beckoned Americans to come on down, his game show, "The Price Is Right," continues to corner a certain market.
Thousands of fans — from 19-year-old Midwestern college students to octogenarians who have had crushes on Mr. Barker since he and they were middle-aged — continue to line up along Fairfax Avenue here at 3 a.m., four days a week, most of the year, hoping for one of the 325 spots in the studio audience.
They come in intergenerational groups or solo. They schedule vacations around tapings of the show, and spend months organizing friends and family members to meet them here, wearing T-shirts that identify them by their town or family name. (One man was recently spotted refusing to don his group's shirt at breakfast. Things did not go well for him.)
They stay by the dozens at the Farmer's Daughter hotel across the street from the CBS studio where "The Price Is Right" is taped, and get a nightly tutorial from a desk clerk on how to become members of the studio audience.
For every American who dreams that a singing voice, dance skills or back-stabbing boardroom tactics will earn him a piece of prime-time fame, thousands more have dreamed smaller, longing only to guess the price of a sectional couch or a pint of heavy cream. They don't want a record contract; they want an all-expenses-paid trip to Asia, or maybe a banjo.
"I have been watching this show all my life," said Gregory Bourgard, 26, who comes several times a year from Odenton, Md., to line up for a spot in the audience, even though he can never be a contestant again because he was once a showcase winner.
"I'm not trying to relive the moment," he said on a recent Sunday night at the Farmer's Daughter, where he was gearing up for visit No. 30. "I just want to be in the audience again."
Game shows may come and go, but "The Price Is Right" is a cultural touchstone for generations of Americans.
Who under 50 — except for those raised by parents who banned television and put rice cakes rather than Ring Dings in their lunchboxes — did not spend dozens of childhood mornings zoned out on the couch, playing along with the Dice Game or screaming at the fool from San Diego about to overbid on a bag of corn chips?
"We're here for our parents, our grandparents and people in our lives who have since passed on who watched the show," said Cindy Kilkenny, 57.
It is the democracy of the audience, and the show's theme — how to gauge inflation, essentially — that has sustained its appeal, said Mr. Barker, the show's 82-year-old host (and its executive producer).
"Everyone in the United States can identify with our show," he said. "On most game shows today you will see contestants between 20 and 45 who are physically attractive. We have people on 'The Price Is Right' who are between 20 and 45 who are physically attractive too."
"But we have people who, when they became 18, the first thing they did was come to 'The Price Is Right,' " he continued, "and I had a big winner on a recent show who was 95. We deliberately select contestants that are black, white and brown. We deliberately pick contestants from all over the United States. We have fat people, thin, short, tall, you name it."
How much stuff costs, he added, is what people think about every day, anyway. "The premise is so overpowering," he said. "Everyone identifies with prices. Whether you're a television executive or a newspaper reporter or a policeman or unemployed."
And while television may worship 22-year-olds and body parts created in the operating theater, Mr. Barker is also part of the show's grand appeal, and he has the X-rays to prove it. One overzealous fan bear-hugged Mr. Barker and broke a rib; several have crushed his toes; and one raced onto the stage and head-butted him in the solar plexus.
"It is a dangerous job," said Mr. Barker, who holds special affection for a fan who raced to her contestant's seat with such enthusiasm that her tube top fell down. She failed to adjust it for several live minutes.
The audience is largely filled by groups on buses who are guaranteed seats. The rest are fans who line up, often beginning at midnight, for the extra spots, which are doled out on a first-come-first-served basis. Some days there are two, others 200.
For these fans Ted Ott, a clerk at the Farmer's Daughter, gives free workshops each night before tapings (two on Mondays and one Tuesday through Thursday).
Mr. Ott, who lines up on his day off, uses a broken section of a backgammon board to represent the "Price Is Right" studio, and lectures for roughly 40 minutes, in between checking in guests.
He gives the following advice: Do not wear costumes. ("The show's producers have a horror of waking up and finding out they are on 'Let's Make a Deal,' " he said.) Show up on time to get your four-digit line-spot number, and guard it with your life.
If you get a spot in the audience — and are thus granted a 20-second interview with the producer to see if you might be called down — be clever. Don't go to the restroom when people are being called down. If you are thinking of bringing in a cheat sheet on prices, think again, because that is a felony.
But to that quintessential American question: is it worth it? For Sean Steiner, 22, who came from Akron, Ohio, to be the first in line for the show, it was the fulfillment of a childhood dream. "It was a once-in-a-lifetime experience," he said. "I was feet from Bob. He was cracking jokes, telling stories about the ducks who live in his swimming pool during the commercial break. The best part was, I got to come home and watch myself on TV."
Price is Right Reject Causes Bomb Scare in SF
Reason for today's 275 Battery shutdown and bomb scare? Yep, "The Price is Right" is at fault. Naturally. As SFist commenter Jackd tells SFist:
some guy went up to the law firm on the 29th floor of the building and handed the receptionist a note explaining why he was pissed off because he didn't get on The Price is Right. Yes, you read correctly, THE PRICE IS RIGHT! I guess she saw some wires around or near his wrist and she called the Bomb Squad. They caught the guy, but swept the rest of the building just in case.
In the insane person's defense, Plinko does look like loads of fun.
Caryn Capotosto currently lives and works in Los Angeles, CA. She holds a Master's Degree in Humanities from The University of Chicago and a Bachelor's Degree in Photography from Columbia College Chicago. She has worked The Museum of Contemporary Photography (Chicago), The LaSalle Bank Photography Collection (Chicago). She was a scholarship recipient from the Anderson Ranch Arts Center in Aspen, CO. and the School for Photographic Studies in Prague, Czech Republic. This is her first film.
Jeruschka White currently works as a New York City EMT. She attended Dante Alegliri, Florence Italy (1996), New School, NY (1996) and the New York Film Academy (1999). She has worked in production on commercial, television, and film since 1997. Ms. White has assisted numerous directors since 1999 including the legendary Robert Altman. Her short films have been included in juried exhibitions since 2000. This is her first feature film.
The Team
Director of Photography, Tuan Le is the creative force behind Rabbitwerks, a California collective of experienced and passionate filmmakers, designers, and photographers that was founded in 1999.
Editor, Seana Carroll has worked in film, television, radio, and theater for over 15 years.She has received scholarships from George Washington University, Mount Vernon College, and a degree in Fine Arts with a focus on Digital Media from The Corcoran College of Art + Design. She has edited projects ranging from the experimental/ avant-garde to narrative, non-fiction, and music videos in Los Angeles and Washington, DC. Seana currently resides in Hollywood, CA where she is working on a documentary about the Washington Redskins Marching Band.
In addition, many people have helped us out along the way. Special thanks to Jack Birmingham, Jessey White-Cinis, Steve Koutsonicholis and a million more (you know who you are). Proper credits will be rolled later!